OPINION: The Path of a Poet
Every once in a while Cytopoetics Events will provide a space for its editor-in-chief Greg Frankson to share perspectives and thoughts on poetry-related issues relevant to the GTA community. Today, Ritallin discusses what it takes to make it as a full-time spoken word artist:
Recently I’ve had a few inquiries about the nature of my occupation.
You see, for the past two years I have been working through Cytopoetics as a full-time independent contractor. I am available for hire for all manner of creative service — facilitating and emceeing events, leading workshops, performing, speaking and the like. This work takes me across Canada and, occasionally, south of the border. In fact, at this very moment I am writing this post from Regina where I am a headline artist for the Cathedral Village Arts Festival.
I love what I do. I don’t consider it to be a job. To me, a job involves punching in and out somewhere, with a boss and an HR department and all the fixin’s associated with a 21st century workplace.
I used to have a job. When I walked away from it in the spring of 2011 there were many who thought I was crazy. And I was, at least partially. The job was literally making me sick, and so I decided there had to be a better way. So I left Ottawa, moved to Toronto, put out my proverbial sandwich board, and the rest is history.
However, as Dwayne Morgan often says, this is not a career path I would recommend to others. In the first instance, I didn’t just walk away from the federal bureaucracy and suddenly become an artist. I’d been doing it for eight years already, was well-known in spoken word circles, had produced merch and won funding grants from all three levels of government. I was a past National Director of Spoken Word Canada and had founded two spoken word series that continue to run in Ottawa to this day.
In short, I’d paid my dues and put in a ton of work to get to the point where leaving my job was even an (unattractive yet remotely doable) option. My first year in Toronto was hell, the transition bumpy, the money non-existent. Without support from others I wouldn’t have survived that first year and I’d be behind a desk someplace by now. No one succeeds without the village. (Thank you, village, for everything). So when I came out the other end and the nine years of hard work, hustling, networking, free gigs for exposure, stress and sleepless nights started to come back to me, the possibility of being a full-time artistic person finally transitioned into a sustainable reality.
There’s a reason why there’s only a handful of full-time spoken word artists in our country. There’s not enough support, gigs and opportunity for any more than about a dozen or so of us across this massive, sparsely populated icebox we call Canada. None of us makes a living exclusively doing poetry feature gigs at shows and festivals. All of us do other things — speaking engagements, music and events management tend to be high on the list — in order to make ends meet. Everyone who does it has been a stage performer for at least a decade. In short, it’s not a path for the faint of heart, the flakey of disposition or the weak of stomach.
I have succeeded by doing things no one else wanted to do, working harder than others at things others also wanted to do, believing in my own talent while realizing others with more of it work less than I do, some lucky bounces and the support of friends and colleagues who realized my passion was real.
If you want some of this, come get it. But be prepared. It’s work. Hard work. It doesn’t happen overnight. And the rest of us who are already full-time independent contractors rooted in spoken word aren’t going anywhere.
Greg “Ritallin” Frankson is a spoken word artist/organizer and Creative Director of Cytopoetics.
The Playlist, Week 23: Ride The Wave
by Sabrina Benaim
Hellooo poetry people!
Today is a wonderful day.
Do you have any memories that you could transport yourself back into in a flash? Place yourself back into the internal picture you took of your body and look out your eyes, in déjà-vu spectacular, seeing the people and your surroundings, feeling every hair on your body rising the way it did the first time you experienced it?
Whenever something wonderful happens to me, I wonder if it will be so wonderful to have the power to bring me back to it someday.
A day I am walking down a busy street, minding my own business, when suddenly I can feel the Tennessee sun burning my pale skin, and I can hear a twangy guitar, and I can see the girl standing in front of me in a black dress and a sick rib tattoo.
On the subway home from work, instead one day I was back in a San Francisco hotel room with my dad, on our trip down the coast of California and we were watching The Golden Girls, both laughing so hard at the same parts, eating chocolate bars we got from the vending machine.
Our memory is incredible.
The poets featured in this week’s Playlist can bring us back to the moment they’ve created from feeling and have the power to allow us to ride that wave of feelings. Or they revisit multiple moments and tidal wave us with the string of truths that hang around them, holding them together. They are pretty freakin’ awesome poets.
Just like today. Today is pretty awesome, too.
All audio / video submissions can be sent to: events [at] cytopoetics [dot] com.
The Playlist – Ride the Wave
1. I forget to breathe when I listen to this poem:
Rachel McKibbens – Central Park, Mother’s Day
2. Lily Myers – Shrinking Women
3. Team Richmond – BNV Finals
4. Wes Ryan – Calendar
Sabrina Benaim is the Lead Contributor to the Cytopoetics Events blog.
The Playlist, Week 22: Full Bloom
by Sabrina Benaim
Holla poetry homies!
This week I’ma get real with y’all.
Lately, a number of people have asked me why I started writing poetry.
Each answer I gave was more cringe inducing than the last, as I tried to find a few obscure, interesting, touching moments in my life that would make me seem really deep and wise.
Here’s the truth: I started writing poetry because I started liking boys.
Unfortunately, it really is that simple and cliché. You now see why I was trying to fabricate something a little more abstract.
It was the eighth grade, and he had this tuxedo mask sparkle in his eye. I was starting to feel many feelings, which I personally thought were pretty stupid and assumed if they were to be shared, I might be thought pretty stupid. However, it became increasing difficult to hold them in. One day after school, when I thought I might finally explode, I bought a notebook and wrote them down.
Boom. Best impulse I’ve ever had.
Over the years, my notebooks became less about my feelings and more about my observations on them. They became stories my friends would tell me, or recounts of conversations I had with people. I became the fly on the wall of my life.
The more I fell in love with the world, the more inspired my observations. The more I learned how to love people, the more lessons I wanted to write down and remember.
When I found my heart — the epicenter of my pulsing thirst for fuel — I sent the fly to sit on its wall.
That is when I started writing the poetry people are asking me about. So, I suppose in a way the true answer to their question is:
I started writing poetry because I had poetry inside of me.
The poets featured in this week’s Playlist have poetry inside of them. It is radiating out of them, beams of truth twisted with rhythm. They are gladiators of the soul’s voice. This week, I urge you watch these and then turn the table on yourself and go inside for a few minutes. Find your poetry.
It’s May. I expect it will be in full bloom.
All audio / video submissions can be sent to: events [at] cytopoetics [dot] com.
The Playlist, Week 22 – Full Bloom
1. Jay Davis
2. Ian Keteku – Right Side Up
3. Laura Lamb Brown-Lavoie – Ars Poetica
4. Mary Anne Rojas – Kyle
Sabrina Benaim is the Lead Contributor to the Cytopoetics Events blog.
Two Hot Weeks, Four Slam Finals
This week has quite a bit more left to offer as Sunday’s weekly synapsis of poetry will show you. But for the two weeks after that, there will be a foursome of fabulous slam finals to select the remaining teams in the Greater Toronto Area who will travel to Montreal for the Canadian Festival of Spoken Word this fall. All four shows are part of the Southwestern Ontario Spoken Word Circuit, and all four shows will feature the über-talented Alvin Lau from Chicago.
On Wednesday, May 15, Bill Brown’s 1-2-3 Slam brings together fans of the form in downtown Toronto. Eight finalists duke it out for one of the five slots on this year’s BB123 Slam Team. The show takes place at Q Space (382 College St.) and will be hosted by Amanda Hiebert. Doors open at 7:30pm with showtime at 8pm. The $10 cover will be contributed towards fundraising for the team’s trip to Montreal this fall.
The next evening on May 16, the scene shifts west for the Burlington Slam Project Finals at the Black Bull Pub (1124 Guelph Line). After the open mic, ten poets will compete for spots on last year’s Ontario provincial slam championship team. Doors and open mic sign-up begin at 8pm. 2012 national slam champ Dwayne Morgan hosts. Admission is $5 at the door.
On the following Wednesday, May 22, north of the city we go for the YorkSlam Finals, featuring eight of the most talented poets to ever hit the mic north of Steeles Avenue. That show takes place at Archibald’s Pub (8950 Yonge St. in Richmond HIll) with doors opening at 7:30pm. Local legend-in-the-making Karen Au hosts. Admission is $5 at the door.
Finally, the journey wraps up in The Town That Hazel Built when We Flip Tables holds its slam finals at the Promenade Gallery (943B Lakeshore Rd. E. in Mississauga) on May 23, hosted by 2010 national slam champion PrufRock Shadowrunner. Doors and bar open at 6:30pm with showtime at 7:30pm.
All four teams selected this month will be participating in the second annual SLAMtario 2013 Spoken Word Festival in Toronto on July 12-13 and CFSW 2013 Montreal on November 5-9. Invitations for the SLAMtario prelim slams and Finals Night are already available. The grand slam champions from each series will also receive an invitation to compete in the Toronto Slam Champions’ Cup on October 3, where a local “slam champion of champions” will be crowned.
In the meantime, don’t miss these fantastic poetry slam finals events when they come to a poetry venue near you over the next two weeks. These are some of the very best the local GTA community has to offer. Come out and support!
The Toronto Poetry Project presents a 
Saturday
Over at The Central (603 Markham St. in Mirvish Village),
The
Comics and poets grace the mic at
Dwayne Morgan will be 
Sterling Studio presents
Saturday
This week
Friday